GRAPHICS

Marion Avanzini

Series 2001 – 2025

1.

Nothing is right

9 Graphics, 2001 - 2007

It was the early 2000s, and medicine dominated Marion Avanzini’s daily routine – but art still called vehemently for time and attention. “Nothing is Right” emerged during long nights, with music as an ever-present influence, and marked the beginning of a tense balancing act between art and medicine. Galerie Ariadne’s discovery of these works led to Marion Avanzini’s first exhibition.

GRAPHICS
Graphic "Heal", 2001, 38x24cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, charcoal, and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Heal

Mixed media on paper

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2001

38 x 24cm

Graphic "Ice habe die Wahrheit gesehen I", 2001, 28x41cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, charcoal, and graphite pencil on paper. Reversed inscriptions of a poem from Ingeborg Bachmann integrated into the artwork hint at hidden layers of meaning

Ich habe die Wahrheit gesehen I

Mixed media on paper

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2001

28 x 41cm

Graphic "Ice habe die Wahrheit gesehen", 2001, 30 x 40 cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil pastel, charcoal, and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Ich habe die Wahrheit gesehen II

Mixed media on paper

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2001

28 x 41cm

Grafik: MID-CABG, 2001, 28x41cm, Ölsticks, Graphit, Kohle auf Papier, Venezianische Rottöne

Mid CABG

Mixed media on paper

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2001

28 x 41cm

Grafik: "Reopening", 2002, 28x41cm, Ölsticks, Graphit, Kohle auf Papier, Venezianische Rottöne

Reopening

Mixed media on paper

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2002

28 x 41cm

Grafik: "Ich denke, also bin ich tot", 2004, 30x40cm, Ölsticks, Graphit, Kohle auf Papier, Venezianische Rottöne, Ultramarineblau, eingearbeitete spiegelverkehrte Textfragmente

Ich denke also bin ich tot

Mixed media on paper

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2004

30 x 40cm

Grafik: Crush 2007, 42x31cm, Ölsticks, Graphit, Kohle auf Papier, Venezianische Rottöne, Ultramarineblau, eingearbeitete spiegelverkehrte Textfragmente

Crush

Mixed media on paper

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2005

41 x 28cm

Grafik: It will not end, 2004, 42x31cm, Ölsticks, Graphit, Kohle auf Papier, Venezianische Rottöne, Ultramarineblau, eingearbeitete spiegelverkehrte Textfragmente

It will not end

Mixed media on paper

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2005

42 x 31cm

Grafik: Dream, 2007, 42x31cm, Ölsticks, Graphit, Kohle auf Papier, Venezianische Rottöne, Ultramarineblau, eingearbeitete spiegelverkehrte Textfragmente

Dream

Mixed media on paper

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2007

42 x 31cm

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2.

Appropriate

10 Graphics, 2005

This series responds to a text by Ingeborg Bachmann, The Truth is Appropriate for People. Alongside large-canvas oil paintings, the series comprises drawings with dominant red and blue tones, containing inscribed pieces of mirrored text from works by Bachmann, Friederike Mayröcker and N. C. Kaser. They invite the viewer to confront the complex nature of truth. 

GRAPHICS
Graphic Collage Header of the Series "Aproppriate", consisting of 10 graphics
Grafik: Zumutbar 2, 2005, 31x31cm, Ölsticks, Graphit, Kohle auf Papier, Venezianische Rottöne, eingearbeitete spiegelverkehrte Textfragmente

Erklär mich nichts

Mixed Media on Paper

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2005

30 x 41 cm

Grafik: For Alice, 2005, 31x31cm, Ölsticks, Graphit, Kohle auf Papier, Venezianische Rottöne, eingearbeitete spiegelverkehrte Textfragmente

For Alice

Mixed Media on Paper

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30 x 41 cm

2005

Grafik: Zumutbar 1, 2005, 30x40cm, Ölsticks, Graphit, Kohle auf Papier, Venezianische Rottöne, eingearbeitete spiegelverkehrte Textfragmente

Zumutbar 1

Mixed Media on Paper

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2005

30 x 41 cm

Grafik: Zumutbar 2, 2005, 31x31cm, Ölsticks, Graphit, Kohle auf Papier, Venezianische Rottöne, eingearbeitete spiegelverkehrte Textfragmenze

Zumutbar 2

Mixed Media on Paper

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2005

31 x 31 cm

Zumutbar 4

Mixed media on canvas

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2005

41 x 30 cm

Zumutbar 5

Mixed Media on Paper

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2005

41 x 30 cm

Graphic "Zumutbar - Appropriate VI", 2005, 31x31cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Zumutbar 6

Mixed Media on Paper

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2005

41 x 30 cm

Graphic "Zumutbar - Appropriate VII", 2005, 31x31cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Zumutbar 7

Mixed media on canvas

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2005

30 x 41 cm

Graphic "You will solve it", 2016, 42x42cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Zumutbar 8

Mixed Media on Paper

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2005

30 x 41 cm

Graphic "Zumutbar XII", 2005, 31x31cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Zumutbar 12

Mixed Media on Paper

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2005

31 x 31 cm

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3.

Short Cuts

16 Graphics, 2009 - 2017

Apprehending the essence of a moment and capturing it in a drawing: Avanzini has produced Short Cuts continuously for almost 20 years. They are visual notes or “minute-pics” on a 20cm x 20cm format. Inscribed quotations from poetry or music, the text mirrored, add depth to these works – or snapshots – created at home or while travelling.

GRAPHICS
Graphic "Colle III". 2009, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Colle III

Mixed Media on Paper

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2009

20 x 20

Graphic "Colle IV". 2009, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Colle IV

Mixed Media on Paper

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2009

20 x 20 cm

Graphic "Colle V". 2009, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Colle V

Mixed Media on Paper

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2009

20 x 20

Graphic "Colle VI". 2009, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red nd blue, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Colle VI

Mixed Media on Paper

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2009

20 x 20 cm

Graphic "Colle VII". 2009, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Colle VII

Mixed Media on Paper

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2009

20 x 20 cm

Graphic "Summer II"; 2009, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Summer II

Mixed Media on Paper

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2009

20 x 20 cm

Graphic "Getting older", 2010, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Getting older

Mixed Media on Paper

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2010

20 x 20 cm

Graphic "Nordsee", 2010, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil chalk and pastel, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Nordsee

Mixed Media on Paper

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2010

20 x 20 cm

Graphic "Starting again II", 2010, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil chalk and pastel, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Starting again II

Mixed Media on Paper

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2010

20 x 20 cm

Graphic "Starting again IV", 2010, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil chalk and pastel, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Starting again IV

Mixed Media on Paper

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2010

20 x 20 cm

Graphic "Port of Pula", 2011, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil pastel, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Port of Pula

Mixed Media on Paper

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2011

20 x 20 cm

Graphic "Summer Pt I", 2011, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil pastel, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Summer part I

Mixed Media on Paper

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2011

20 x 20 cm

Graphic "Summer Pt II", 2011, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil pastel, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Summer part II

Mixed Media on Paper

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2011

20 x 20 cm

Graphic "No word can safe us", 2011, 42x30cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, oil pastel, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Nussdorf 3

Mixed media on canvas

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2012

20 x 20 cm

Graphic "Cold light of morning", 2013, 20x20cm, by Marion Avanzini: Abstract composition, black and white, drawn with felt-tip pen on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Cold Light of Morning

Mixed Media on Paper

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2013

20 x 20 cm

Graphic "what is inside", 2011, 42x30cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, oil pastel, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

What is Insde I

Mixed Media on Paper

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2017

20 x 20 cm

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4.

Recurring Thoughts

17 Graphics, 2009

Cardiac catheter procedures, acute treatment of blocked blood vessels, cardiac MRI scans – all were restricting the time available for art. Images accompanying recurring thoughts about the complexity of human experience kept forming in Avanzini’s mind, as visual metaphors: crossroads, congested spaces and dead ends. 

GRAPHICS
Graphic "Bifurcation management", 2019, 40x30cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Bifurcation Management

Mixed Media on Canvas

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2009

40 x 30 cm

Graphic "March 09", 2009, 30x42cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

March

Mixed Media on Paper

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2009

30 x 42 cm

Graphic "Fallen", 2010 42x30cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Fallen

Mixed Media on Paper

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2010

42 x 30 cm

Graphic "Northwind", 2010, 42x30cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Northwind

Mixed Media on Paper

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2010

42 x 30 cm

Graphic "One after Another", 2010, 42x30cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

One after Another

Mixed Media on Paper

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2010

42 x 30 cm

Graphic "Every Year", 2011, 42x30cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, oil pastel, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Every Year

Mixed Media on Canvas

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2011

42 x 30 cm

Graphic "Memories", 2011, 30x42cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, oil pastel, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Memories

Mixed Media on Paper

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2011

30 x 42 cm

Graphic "No word can safe us", 2011, 42x30cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, oil pastel, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

No Word can save us

Mixed Media on Paper

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2011

42 x 30 cm

Graphic "October", 2011, 30x42cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

October

Mixed Media on Paper

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2011

30 x 42 cm

Graphic "Part of one", 2011, 30x42cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Part of One

Mixed Media on Paper

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2011

30 x 42 cm

Graphic "September", 2011, 30x42cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

September

Mixed Media on Paper

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2011

30 x 42 cm

Graphic "So easy", 2011, 42x30cm, by Marion Avanzini: Abstract composition, predominantly blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

So easy

Mixed Media on Paper

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2011

42 x 30 cm

Graphic "Wisdom Pt I", 2011, 30x42cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Wisdom pt 1

Mixed Media on Paper

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2011

30 x 42 cm

Graphic "Happy Easter - again", 2013, 38x55cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Happy Easter again

Mixed Media on Paper

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2013

38 x 55 cm

Graphic "Home", 2016, 45x40cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Home

Mixed Media on Paper

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2016

45 x 40 cm

Graphic "You will solve it", 2016, 42x42cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

You will solve it

Mixed Media on Paper

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2016

42 x 42 cm

Graphic "New Year", 2018, 33x45cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

New Year

Mixed Media on Paper

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2018

33 x 45 cm

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5.

Graphical Diary

36 Graphics, 2011 - 2025

Commenced in 2005 in New York, with no end in sight. Instead of putting into words experiences, sights seen, and thoughts, spontaneous drawings using pencil and oil sticks capture external impressions and internal reflections. The graphical diary became a projection screen for creativity, whether in foreign cities, at home, in uninhabited landscapes or interior worlds. 

GRAPHICS
Insight into the GRAPHIC DIARY: “Vienna again", 2011, 30x21cm, by Marion Avanzini, abstract composition, deep red and blue, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Vienna again

Mixed Media on Paper

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2011

30 x 21 cm

Insight into the GRAPHIC DIARY: “And time goes by", 2012 30x21cm, by Marion Avanzini, abstract composition, deep red and blue, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

And Time goes by

Mixed Media on Paper

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2012

30 x 21 cm

Insight into the GRAPHIC DIARY: “Maybe one day”, 2013, 30x21cm, by Marion Avanzini, abstract composition, blue, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Maybe one Day

Mixed Media on Paper

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2012

30 x 21 cm

Insight into the GRAPHIC DIARY: “Nussdorf III”, 2012, 30x21cm, by Marion Avanzini, abstract composition, deep red and blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Nussdorf III

Mixed Media on Paper

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2012

30 x 21 cm

Insight into the GRAPHIC DIARY: “Reha I”, 2013, 30x21cm, by Marion Avanzini, abstract composition, deep red and blue, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Reha I

Mixed Media on Paper

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2013

30 x 21 cm

Insight into the GRAPHIC DIARY: “Too much”, 2013, 30x21cm, by Marion Avanzini, abstract composition, deep red, drawn with oil chalk, charcoal and graphite pencil on paper.

Too much

Mixed Media on Paper

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2013

30 x 21 cm

Insight into the GRAPHIC DIARY: “Berlin", 2015 30x21cm, by Marion Avanzini, abstract composition, deep red, drawn with oil chalk, charcoal and graphite pencil on paper.

Berlin

Mixed Media on Paper

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2015

30 x 21 cm

Insight into the GRAPHIC DIARY: “Home again, 2019, 30x21cm, by Marion Avanzini, abstract composition, deep red, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Home again

Mixed Media on Paper

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2019

30 x 21 cm

Insight into the GRAPHIC DIARY: “Niederneustift II, 2019, 30x21cm, by Marion Avanzini, abstract composition, deep red and blue, drawn with oil chalk, charcoal and graphite pencil on paper.

Niederneustift II

Mixed Media on Paper

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2019

30 x 21 cm

Insight into the GRAPHIC DIARY: “Reha I”, 2019, 30x21cm, by Marion Avanzini, abstract composition, deep red and blue, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Reha I

Mixed Media on Paper

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2019

30 x 21 cm

Insight into the GRAPHIC DIARY: “Ein neues Jahrzehnt”, 2020, 30x21cm, by Marion Avanzini, abstract composition, deep red and amber, drawn with oil chalk, charcoal, Felt-tip pen and graphite pencil on paper

Ein neues Jahrzehnt

Mischtechnik auf Papier

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2020

30 x 21 cm

Insight into the GRAPHIC DIARY: “Everything starts and ends with a "C"”, 2020, 30x21cm, by Marion Avanzini, abstract composition, multicoloured, drawn with oil chalk, charcoal and graphite pencil on paper

Everything starts and ends with a C

Mixed Media on Paper

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2020

30 x 21 cm

Insight into the GRAPHIC DIARY: “Niederneustift”, 2020, 30x21cm, by Marion Avanzini, abstract composition, deep red and amber, drawn with oil sticks, charcoal, Felt-tip pen and graphite pencil on paper

Niederneustift

Mixed Media on Paper

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2020

30 x 21 cm

Insight into the GRAPHIC DIARY: “Worueber wir nicht sprechen koennen ”, 2020, 30x21cm, by Marion Avanzini, abstract composition, deep red and blue, drawn with oil chalk, charcoal, Felt-tip pen and graphite pencil on paper

Worueber wir nicht sprechen koennen

Mixed Media on Paper

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2020

30 x 21 cm

Insight into the GRAPHIC DIARY: “Hvalfjardarsveit”, 2021, 30x21cm, by Marion Avanzini, abstract composition, deep blue, drawn with oil chalk, charcoal and graphite pencil on paper

Hvalfjardarsveit

Mixed Media on Paper

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2021

30 x 21 cm

Insight into the GRAPHIC DIARY: “Niederneustift”, 2021, 30x21cm, by Marion Avanzini, abstract composition, deep red and amber, drawn with oil sticks, charcoal and graphite pencil on paper

Niederneustift

Mixed Media on Paper

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2021

30 x 21 cm

Insight into the GRAPHIC DIARY: “Torre di Cala piccola”, 2021, 30x21cm, by Marion Avanzini, abstract composition, multicoloured, drawn with oil chalk, charcoal, Felt-tip pen and graphite pencil on paper

Torre di Cala Piccola

Mixed Media on Paper

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2021

30 x 21 cm

Insight into the GRAPHIC DIARY: “Canal sul Sile”, 2021, 30x21cm, by Marion Avanzini, abstract composition, deep red and blue, drawn with oil chalk, charcoal, Felt-tip pen and graphite pencil on paper

Canal Sul Sile

Mixed Media on Paper

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2022

30 x 21 cm

Insight into the GRAPHIC DIARY: “Niederneustift”, 2022, 30x21cm, by Marion Avanzini, abstract composition, deep red, amber and blue, drawn with oil chalk, charcoal, Felt-tip pen and graphite pencil on paper

Niederneustift

Mixed Media on Paper

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2022

30 x 21 cm

Insight into the GRAPHIC DIARY: “Oeblarn II”, 2023, 30x21cm, by Marion Avanzini, abstract composition, multicoloured, drawn with oil pastel, charcoal, Felt-tip pen and graphite pencil on paper

Oeblarn II

Mixed Media on Paper

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2022

30 x 21 cm

Insight into the GRAPHIC DIARY: “Buje”, 2023, 30x21cm, by Marion Avanzini, abstract composition, deep red and blue, drawn with oil pastel, charcoal, Felt-tip pen and graphite pencil on paper

Buje

Mixed Media on Paper

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2023

30 x 21 cm

Insight into the GRAPHIC DIARY: “Joachimsberg”, 2023, 30x21cm, by Marion Avanzini, abstract composition, deep red and blue, drawn with oil pastel, charcoal, Felt-tip pen and graphite pencil on paper, Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Joachimsberg

Mixed Media on Paper

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2023

30 x 21 cm

Insight into the GRAPHIC DIARY: “Muttertag”, 2023, 30x21cm, by Marion Avanzini, abstract composition, multicoloured, drawn with oil pastel, charcoal, Felt-tip pen and graphite pencil on paper

Muttertag

Mixed Media on Paper

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2023

30 x 21 cm

Insight into the GRAPHIC DIARY: “Niederneustift”, 2023, 30x21cm, by Marion Avanzini, abstract composition, red and yellow, drawn with oil pastel, charcoal, Felt-tip pen and graphite pencil on paper, Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Niederneustift

Mixed Media on Paper

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2023

30 x 21 cm

Insight into the GRAPHIC DIARY: “Polarkreis Wintterrreise 23”, 2023, 30x21cm, by Marion Avanzini, abstract composition, deep and light blue, drawn with oil pastel, charcoal, Felt-tip pen and graphite pencil on paper, Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Polarkreis Winterreise

Mixed Media on Paper

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2023

30 x 21 cm

Insight into the GRAPHIC DIARY: “Fact finding”, 2024, 30x21cm, by Marion Avanzini, abstract composition, deep red and amber, drawn with oil pastel, charcoal, Felt-tip pen and graphite pencil on paper, Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Fact finding

Mixed Media on Paper

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2024

30 x 21 cm

Insight into the GRAPHIC DIARY: “Paudorf”, 2024, 30x21cm, by Marion Avanzini, abstract composition, multicoloured, drawn with oil pastel, charcoal, Felt-tip pen and graphite pencil on paper, Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Paudorf

Mixed Media on Paper

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2024

30 x 21 cm

Insight into the GRAPHIC DIARY: “Reichenau”, 2024, 30x21cm, by Marion Avanzini, abstract composition, multicoloured, drawn with oil pastel, charcoal, Felt-tip pen and graphite pencil on paper

Reichenau

Mixed Media on Paper

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2024

30 x 21 cm

Insight into the GRAPHIC DIARY: “Summer 24”, 2013, 30x21cm, by Marion Avanzini, abstract composition, multicoloured, drawn with oil pastel, charcoal, Felt-tip pen and graphite pencil on paper

Summer 24

Mixed Media on Paper

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2024

30 x 21 cm

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6.

Nowhere

23 Graphics, 2010 - 2019

Using oil sticks and graphite, these drawings (some in large format) reflect partings, decisions, internal upheavals and entering new spaces. With intense lines and deep layers of colour, the series “Nowhere” calls attention to a feeling of floating between places and decisions, as an artistic exploration of uncertainty in a time of change.

GRAPHICS
Graphic "England I", 2004, 40x30cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

England 1

Mixed Media on Paper

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2004

40 x 30 cm

Graphic "England II", 2004, 40x30cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

England 2

Mixed Media on Paper

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2004

40 x 30 cm

Graphic "England III", 2004, 30x40cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

England 3

Mixed Media on Paper

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2004

30 x 40 cm

Graphic "England IV", 2004, 30x40cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

England 4

Mixed Media on Paper

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2004

30 x 40 cm

Graphic "England V", 2004, 40x30cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

England 5

Mixed Media on Paper

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2004

30 x 40 cm

Graphic "On the road again", 40x30cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

On the Road again

Mixed Media on Paper

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2010

40 x 30 cm

Graphic "40th anniversary", 2012, 40x32cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

40th Anniversary

Mixed Media on Paper

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2012

40 x 32 cm

Graphic "Cut it out", 2012, 70x50cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Cut it out

Mixed Media on Paper

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2012

70 x 48 cm

Graphic "Happy new year" 2012, 32x40cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Happy New Year

Mixed Media on Paper

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2012

32 x 40 cm

Graphic "Nussdorf I" 2012, 50x70cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Nussdorf

Mixed Media on Paper

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2012

50 x 70 cm

Graphic "Nussdorf II" 2012, 70x50cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Nussdorf 2

Mixed Media on Paper

,

2012

70 x 50 cm

Graphic "Nussdorf IV" 2022, 70x50cm, by Marion Avanzini: Abstract composition, predominantly in blue and -red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Nussdorf 4

Mixed Media on Paper

,

2012

70 x 50 cm

Graphic "Nussdorf V" 2012, 50x70cm, by Marion Avanzini: Abstract composition, predominantly in blue and red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Nussdorf 5

Mixed Media on Paper

,

2012

50 x 70 cm

Graphic "In the South" 2013, 45x33cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

In the South

Mixed Media on Paper

,

2013

40 x 30 cm

Graphic "Selva" 2013, 45x36cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Selva

Mixed media on canvas

,

2013

45 x 35 cm

Graphic "Soth-East II" 2013, 45x33cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

South East II

Mixed media on canvas

,

2013

45 x 33 cm

Graphic "Detrimental alterations" 2014, 45x38cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Detrimental Alterations

Mixed Media on Paper

,

2014

45 x 38 cm

Graphic "Do not look back", 2014, 33x45cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper.

Do not look back

Mixed Media on Paper

,

2014

33 x 45 cm

Graphic "Back Slash" 2016, 48x70cm, by Marion Avanzini: Abstract composition, predominantly in blue and red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Back Slash

Mixed Media on Paper

,

2016

48 x 70 cm

Graphic "Schoeneben -this kind about me and kind about you", 2017, 45x33cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Schoeneben

Mixed media on canvas

,

2017

45 x 33 cm

Graphic "Some things remain", 2019, 45x33cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Some things remain

Mixed media on canvas

,

2018

45 x 33 cm

Graphic "End your own" 2019, 18x24cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

End your own

Mixed Media on Paper

,

2019

18 x 24 cm

Graphic "Niederneustift I" 2019, 45x33cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Niederneustift I

Mixed Media on Paper

,

2019

45 x 33 cm

CLOSE

7.

Escape to the North

7 Graphics, 2023

Leaving medicine after unbroken years of practice, Avanzini set off to Europe’s far north. Unendingly vast landscapes, the northern lights, and the bone-chilling Arctic cold did not only expand the artist’s horizons: radiant yellows, greens and oranges complement familiar red and blue tones in her drawings. And alongside oil sticks and pencil, Avanzini began using oil pastels and fibre tip pens.

GRAPHICS
Graphic "Bremerhafen I", 2023, 42x33cm, by Marion Avanzini: Abstract composition, predominantly in blue and red, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Bremerhaven I

Mixed Media on Paper

,

2023

42 x 33 cm

Graphic "Bremerhafen II", 2023, 42x33cm, by Marion Avanzini: Abstract composition, multicolour, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Bremerhaven II

Mixed Media on Paper

,

2023

42 x 33 cm

Graphic "Bremerhafen III", 2013, 42x33 cm, by Marion Avanzini: Abstract composition, predominantly in red, amber and ultramairineblue drawn with oil pastel, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Bremerhaven III

Mixed Media on Paper

,

2023

42 x 33 cm

Graphic "Inndyr", 2023, 33x40cm, by Marion Avanzini: Abstract composition, predominantly in blue and green, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Inndyr

Mixed Media on Paper

,

2023

33 x 40 cm

Graphic "Into the North I", 2023, 45x33cm, by Marion Avanzini: Abstract composition, predominantly in red, blue and amber, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Into the North I

Mixed Media on Paper

,

2023

45 x 33 cm

Graphic "Into the North II", 2023, 40x33cm, by Marion Avanzini: Abstract composition, predominantly in blue and red, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Into the North II

Mixed Media on Paper

,

2023

40 x 33 cm

Graphic "Winterreise II", 2023, 42x30cm, by Marion Avanzini: Abstract composition, predominantly in red, blue and amber, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Winterreise II

Mixed Media on Paper

,

2023

42 x 30 cm

CLOSE

8.

Latein America

33 Graphics, 2023- 2024

Six months in Latin America including Colombia, Argentina and Chile. From the Día de los Muertos in Mexico to Guatemala’s active volcanoes, the works reflect stunning landscapes and experiences as well as crushing poverty and migration movements. Using oil sticks and pens, the pictures seek to capture the the complex reality of the region with bright colours and dynamic lines.   

GRAPHICS
Graphic "CDMX I", 2024, 24x18cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

CDMX I

Mixed Media on Paper

,

2024

24 x 18 cm

Graphic "CDMV II", 2023, 24x18cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

CDMX II

Mixed Media on Paper

,

2023

24 x 18 cm

Graphic "Colombia I", 2023, 24x18cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Columbia I

Mixed Media on Paper

,

2023

24 x 18 cm

Graphic "Pacifico VIIa", 2023, 32x28cm, by Marion Avanzini: Abstract composition, multicolor, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Columbia II

Mixed Media on Paper

,

2023

24 x 18 cm

Graphic "Columbia III", 2023, 32x24cm, by Marion Avanzini: Abstract composition, predominantly in blue and green, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Columbia III

Mixed Media on Paper

,

2023

32 x 24 cm

Graphic "Columbia IV", 2023, 32x28cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Columbia IV

Mixed Media on Paper

,

2023

32 x 28 cm

Graphic "Columbia V", 2023, 24x18cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Columbia V

Mixed Media on Paper

,

2023

24 x 18 cm

Graphic "Columbia VI", 2023, 32x24cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Columbia VI

Mixed Media on Paper

,

2023

32 x 24 cm

Graphic "Columbia VII", 2023, 32x24cm, by Marion Avanzini: Abstract composition, predominantly in red, blue and green, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Columbia VII

Mixed Media on Paper

,

2023

32 x 24 cm

Graphic "Columbia VIII", 2023, 24x32cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Columbia VIII

Mixed Media on Paper

,

2023

24 x 32 cm

Graphic "Guadalajara", 2023, 24x18cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Guadalajara

Mixed Media on Paper

,

2023

24 x 18 cm

Graphic "Pacifico III", 2023, 32x24cm, by Marion Avanzini: Abstract composition, predominantly in red, blue and amber, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Pacifico III

Mixed Media on Paper

,

2023

32 x 24 cm

Graphic "Pacifico IV", 2023, 32x24cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Pacifico IV

Mixed Media on Paper

,

2023

32 x 24 cm

Graphic "Pacifico V", 2023, 32x24cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Pacifico V

Mixed Media on Paper

,

2023

32 x 24 cm

Graphic "Pacifico VI", 2023, 32x24cm, by Marion Avanzini: Abstract composition, predominantly in blue, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Pacifico VI

Mixed Media on Paper

,

2023

32 x 24 cm

Graphic "Pacifico VII", 2023, 32x28cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Pacifico VII

Mixed Media on Paper

,

2023

32 x 24 cm

Graphic "Pacifico VIIa", 2023, 32x28cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Pacifico vlla

Mixed Media on Paper

,

2023

32 x 28 cm

Graphic "Pacifico VIII", 2023, 32x28cm, by Marion Avanzini: Abstract composition, predominantly in blue and amber, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Pacifico VIII

Mixed Media on Paper

,

2023

32 x 28 cm

Graphic "San Miguel de Allende", 2023, 32x24cm, by Marion Avanzini: Abstract composition, predominantly in red, blue and amber, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

San Miguel de Allende I

Mixed Media on Paper

,

2023

32 x 24 cm

Graphic "San Miguel de Allende II", 2024, 24x18cm, by Marion Avanzini: Abstract composition, predominantly in red, blue and amber, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

San Miguel de Allende II

Mixed Media on Paper

,

2023

24 x 18 cm

Graphic "San Miguel de Allende III", 2023, 32x24cm, by Marion Avanzini: Abstract composition, predominantly in blue and green, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

San Miguel de Allende III

Mixed Media on Paper

,

2023

32 x 24 cm

Graphic "Atacama", 2024, 18x24cm, by Marion Avanzini: Abstract composition, predominantly in red, blue and amber, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Atacama

Mixed Media on Paper

,

2024

18 x 24 cm

Graphic "Atitlan I", 2024, 18x24cm, by Marion Avanzini: Abstract composition, predominantly in blue and green, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Atitlan I

Mixed Media on Paper

,

2024

18 x 24 cm

Graphic "Atitlan II", 2024, 18x24cm, by Marion Avanzini: Abstract composition, predominantly in red, blue and amber, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Atitlan II

Mixed Media on Paper

,

2024

18 x 24 cm

Graphic "El Paredon I", 2024, 2-teilig, 48x18cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

El Paredon I

Mixed Media on Paper

,

2024

24 x 18 cm

Graphic "EL Paredon II", 2024, 24x18cm, by Marion Avanzini: Abstract composition, predominantly in blue, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

El Paredon II

Mixed Media on Paper

,

2024

24 x 18 cm

Graphic "Guatemala City I", 2024, 24x18cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Guatemala City I

Mixed Media on Paper

,

2024

24 x 18 cm

Graphic "Guatemala City II", 2024, 24x18cm, by Marion Avanzini: Abstract composition, predominantly in blue, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Guatemala City II

Mixed Media on Paper

,

2024

24 x 18 cm

Graphic "Maipo I", 2024, 24x18cm, by Marion Avanzini: Abstract composition, predominantly in red, blue and amber, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Maipo

Mixed Media on Paper

,

2024

24 x 18 cm

Graphic "Maipo II", 2024, 24x18cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Maipo II

Mixed Media on Paper

,

2024

24 x 18 cm

Graphic "Mar del Cobo", 2024, 28x34cm, by Marion Avanzini: Abstract composition, predominantly in red, blue and amber, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Mar del Cobo

Mixed Media on Paper

,

2024

28 x 34 cm

Graphic "Mendoza, 2024, 32x24cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Mendoza

Mixed Media on Paper

,

2024

28 x 34 cm

Graphic "Santiago I", 2024, 18x27cm, by Marion Avanzini: Abstract composition, predominantly in red, blue and amber, drawn with oil chalk, oil pastell, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Santiago I

Mixed Media on Paper

,

2024

18 x 27 cm

CLOSE

9.

It will never be the way it was

26 Graphics, 2020 - 2025

This series, comprising oil paintings and drawings, came together during and after the Corona pandemic – a time defined by radical changes. The title, inspired by a song by the band AnnenMayKantereit, is meant to recall the feeling of irreversible change. The works deal with the irrevocable transformation of the familiar, and illustrate the rupture between “then” and “now”.

GRAPHICS

After the Party

Mixed Media on Paper

,

2020

30 x 21 cm

Graphic "Hollenstein, Day 2", 2020, 30x21cm, by Marion Avanzini: Abstract composition, predominantly in red, ultramarine blue and amber, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Hollenstein Day 2

Mixed Media on Paper

,

2020

30 x 21 cm

Graphic "TLocked ink, Locked out", 2020, 30x21cm, by Marion Avanzini: Abstract composition, predominantly in red and amber, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Locked in locked out 2

Mixed Media on Paper

,

2020

30 x 21 cm

Graphic "Niederneustift 20", 2020, 30x21cm, by Marion Avanzini: Abstract composition, predominantly in red and amber, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Niederneustift 20

Mixed Media on Paper

,

2020

30 x 21 cm

Graphic "Stay at home", 2020, 32x28cm, by Marion Avanzini: Abstract composition, predominantly in red and amber, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Stay at Home

Mixed Media on Paper

,

2020

32 x 28 cm

Graphic "There is lightning", 2020, 30x21cm, by Marion Avanzini: Abstract composition, predominantly in red and amber, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

There is Lightning I

Mixed Media on Paper

,

2020

30 x 21 cm

Graphic "There is lightning", 2020, 30x21cm, by Marion Avanzini: Abstract composition, predominantly in red and amber, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

There is Lightning II

Mixed Media on Paper

,

2020

30 x 21 cm

Graphic "Let it go", 2022, 45x33cm, by Marion Avanzini: Abstract composition, predominantly in ultramairine blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Let it go

Mixed Media on Paper

,

2022

45 x 33 cm

Graphic "No consensus" 2022, 45x33cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

No Consensus

Mixed Media on Paper

,

2022

45 x 33 cm

Graphic "Nothing", 2022, 30x21cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Nothing

Mixed Media on Paper

,

2022

30 x 21 cm

Graphic "Pressure for nothing", 2022, 45x33cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Pressure for nothing

Mixed Media on Paper

,

2022

45 x 33 cm

Graphic "Waiting for the miracle", 2022, 30x21cm, by Marion Avanzini: Abstract composition, predominantly in red and ultramairine blue drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Waiting for the Miracle

Mixed Media on Paper

,

2022

30 x 21 cm

Graphic "Wash out", 2022, 45x33cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Wash out

Mixed Media on Paper

,

2022

45 x 33 cm

Graphic "Birthday card", 2023, 22x16cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil pastel, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Birthday Card

Mixed Media on Paper

,

2023

22 x 16 cm

Graphic "Morning light", 2023, 45x33cm, by Marion Avanzini: Abstract composition, predominantly in red and ultramairine blue drawn with oil sticks, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Morning Light

Mixed Media on Paper

,

2023

45 x 33 cm

Graphic "Again", 2024, 40x40cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks and pastel, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Again

Mixed Media on Paper

,

2024

40 x 40 cm

Graphic "Chaos again", 2024, 41x31cm, by Marion Avanzini: Abstract composition, predominantly in red, amber and ultramairine blue drawn with oil pastel, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Chaos again

Mixed Media on Paper

,

2024

41 x 31 cm

Graphic "Escape", 2024, 30x21cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil pastel, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Escape

Mixed Media on Paper

,

2024

30 x 21 cm

Graphic "Faber saved my life", 2024, 40x40cm, by Marion Avanzini: Abstract composition, predominantly in red and amber, drawn with oil sticks, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Faber saved my Life

Mixed Media on Paper

,

2024

40 x 40 cm

Graphic "La hermosa fracture", 2024, 32x24cm, by Marion Avanzini: Abstract composition, predominantly in red, amber and ultramairine blue drawn with oil pastel, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

La hermosa Fractura

Mixed Media on Paper

,

2024

32 x 24 cm

Graphic "Le Val", 2024, 41x31cm, by Marion Avanzini: Abstract composition, predominantly in red, amber and ultramairine blue drawn with oil pastel, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Leval

Mixed Media on Paper

,

2024

41 x 31 cm

Graphic "Miedo", 2024, 40x40cm, by Marion Avanzini: Abstract composition, predominantly in red, amber and ultramairineblue drawn with oil pastel, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Miedo

Mixed Media on Paper

,

2024

40 x 40 cm

Graphic "Bremerhafen III", 2013, 42x33 cm, by Marion Avanzini: Abstract composition, predominantly in red, amber and ultramairineblue drawn with oil pastel, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Soledad

Mixed Media on Paper

,

2024

40 x 40 cm

Graphic "Starting a new game", 32x24cm, 2024 by Marion Avanzini: Abstract composition, predominantly in red and ultramairineblue drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Starting a new Game

Mixed Media on Paper

,

2024

32 x 24 cm

Graphic "Bremerhafen III", 2013, 42x33 cm, by Marion Avanzini: Abstract composition, predominantly in red, amber and ultramairineblue drawn with oil pastel, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

To stand still

Mixed Media on Paper

,

2024

30 x 21 cm

Graphic "These were the days", 2024, x33cm, by Marion Avanzini: Abstract composition, predominantly in ultramairine blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

These were the days

Mixed media on canvas

,

2024

32 x 24 cm

CLOSE

1.

Nothing
is right

9 Graphics

2.

Appropriate

10 Graphics

3.

Short Cuts

16 Graphics

4.

Recurring Thoughts

17 Graphics

5.

Graphical Diary

36 Graphics

6.

Nowhere

23 Graphics

7.

Escape to the North

7 Graphics

8.

Latin
America

33 Graphics

9.

It will never be
the way it was

26 Graphics

1.

Nothing
is right

10 Graphics

2.

Appropriate

10 Graphics

3.

Short cuts

16 Graphics

4.

Recurring
Thoughts

17 Graphics

5.

Graphical
Diary

36 Graphics

6.

Nowhere

23 Graphics

7.

Escape to
the North

7 Graphics

8.

Latein
America

33 Graphics

9.

It will never
be the way
it was

26 Graphics