3.

Short Cuts

16 Graphiken, 2009 – 2017
Graphic "Colle III". 2009, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Colle III

Mischtechnik auf Papier

,

2009

20 x 20

Graphic "Colle IV". 2009, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Colle IV

Mischtechnik auf Papier

,

2009

20 x 20 cm

Graphic "Colle V". 2009, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Colle V

Mischtechnik auf Papier

,

2009

20 x 20

Graphic "Colle VI". 2009, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red nd blue, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Colle VI

Mischtechnik auf Papier

,

2009

20 x 20 cm

Graphic "Colle VII". 2009, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Colle VII

Mischtechnik auf Papier

,

2009

20 x 20 cm

Graphic "Summer II"; 2009, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Summer II

Mischtechnik auf Papier

,

2009

20 x 20 cm

Graphic "Getting older", 2010, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil chalk, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Getting older

Mischtechnik auf Papier

,

2010

20 x 20 cm

Graphic "Nordsee", 2010, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil chalk and pastel, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Nordsee

Mischtechnik auf Papier

,

2010

20 x 20 cm

Graphic "Starting again II", 2010, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil chalk and pastel, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Starting again II

Mischtechnik auf Papier

,

2010

20 x 20 cm

Graphic "Starting again IV", 2010, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil chalk and pastel, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Starting again IV

Mischtechnik auf Papier

,

2010

20 x 20 cm

Graphic "Port of Pula", 2011, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil pastel, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Port of Pula

Mischtechnik auf Papier

,

2011

20 x 20 cm

Graphic "Summer Pt I", 2011, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil pastel, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Summer part I

Mischtechnik auf Papier

,

2011

20 x 20 cm

Graphic "Summer Pt II", 2011, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil pastel, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Summer part II

Mischtechnik auf Papier

,

2011

20 x 20 cm

Graphic "Nussdorf III", 2012, 20x20cm, by Marion Avanzini: Abstract composition, predominantly in red and blue, drawn with oil pastel, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Nussdorf 3

Mischtechnik auf Papier

,

2012

20 x 20 cm

Graphic "Cold light of morning", 2013, 20x20cm, by Marion Avanzini: Abstract composition, black and white, drawn with felt-tip pen on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Cold Light of Morning

Mischtechnik auf Papier

,

2013

20 x 20 cm

Graphic "what is inside", 2017, 20x20cm, by Marion Avanzini: Abstract composition, predominantly blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

What is Inside

Mischtechnik auf Papier

,

2017

20 x 20 cm