9.

So wie’s war, wird’s nie wieder sein

26 Graphiken, 2020 – 2024
Graphic "After the party", 2020, 30x21cm, by Marion Avanzini: Abstract composition, predominantly in red and ultramarine blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

After the Party

Mischtechnik auf Papier

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2020

30 x 21 cm

Graphic "Hollenstein, Day 2", 2020, 30x21cm, by Marion Avanzini: Abstract composition, predominantly in red, ultramarine blue and amber, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Hollenstein Day 2

Mischtechnik auf Papier

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2020

30 x 21 cm

Graphic "TLocked ink, Locked out", 2020, 30x21cm, by Marion Avanzini: Abstract composition, predominantly in red and amber, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Locked in locked out 2

Mischtechnik auf Papier

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2020

30 x 21 cm

Graphic "Niederneustift 20", 2020, 30x21cm, by Marion Avanzini: Abstract composition, predominantly in red and amber, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Niederneustift 20

Mischtechnik auf Papier

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2020

30 x 21 cm

Graphic "Stay at home", 2020, 32x28cm, by Marion Avanzini: Abstract composition, predominantly in red and amber, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Stay at Home

Mischtechnik auf Papier

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2020

32 x 28 cm

Graphic "There is lightning I", 2020, 30x21cm, by Marion Avanzini: Abstract composition, predominantly in amber, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

There is Lightning I

Mischtechnik auf Papier

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2020

30 x 21 cm

Graphic "There is lightning II", 2020, 30x21cm, by Marion Avanzini: Abstract composition, predominantly in red and amber, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

There is Lightning II

Mischtechnik auf Papier

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2020

30 x 21 cm

Graphic "Let it go", 2022, 45x33cm, by Marion Avanzini: Abstract composition, predominantly in ultramairine blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Let it go

Mischtechnik auf Papier

,

2022

45 x 33 cm

Graphic "No consensus" 2022, 45x33cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

No Consensus

Mischtechnik auf Papier

,

2022

45 x 33 cm

Graphic "Nothing", 2022, 30x21cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Nothing

Mischtechnik auf Papier

,

2022

30 x 21 cm

Graphic "Pressure for nothing", 2022, 45x33cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Pressure for nothing

Mischtechnik auf Papier

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2022

45 x 33 cm

Graphic "Waiting for the miracle", 2022, 30x21cm, by Marion Avanzini: Abstract composition, predominantly in red and ultramairine blue drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Waiting for the Miracle

Mischtechnik auf Papier

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2022

30 x 21 cm

Graphic "Wash out", 2022, 45x33cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Wash out

Mischtechnik auf Papier

,

2022

45 x 33 cm

Graphic "Birthday card", 2023, 22x16cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil pastel, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Birthday Card

Mischtechnik auf Papier

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2023

22 x 16 cm

Graphic "Morning light", 2023, 45x33cm, by Marion Avanzini: Abstract composition, predominantly in red and ultramairine blue drawn with oil sticks, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Morning Light

Mischtechnik auf Papier

,

2023

45 x 33 cm

Graphic "Again", 2024, 40x40cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil sticks and pastel, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Again

Mischtechnik auf Papier

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2024

40 x 40 cm

Graphic "Chaos again", 2024, 41x31cm, by Marion Avanzini: Abstract composition, predominantly in red, amber and ultramairine blue drawn with oil pastel, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Chaos again

Mischtechnik auf Papier

,

2024

41 x 31 cm

Graphic "Escape", 2024, 30x21cm, by Marion Avanzini: Abstract composition, predominantly in red, drawn with oil pastel, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Escape

Mischtechnik auf Papier

,

2024

30 x 21 cm

Graphic "Faber saved my life", 2024, 40x40cm, by Marion Avanzini: Abstract composition, predominantly in red and amber, drawn with oil sticks, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Faber saved my Life

Mischtechnik auf Papier

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2024

40 x 40 cm

Graphic "La hermosa fracture", 2024, 32x24cm, by Marion Avanzini: Abstract composition, predominantly in red, amber and ultramairine blue drawn with oil pastel, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

La hermosa Fractura

Mischtechnik auf Papier

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2024

32 x 24 cm

Graphic "Le Val", 2024, 41x31cm, by Marion Avanzini: Abstract composition, predominantly in red, amber and ultramairine blue drawn with oil pastel, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Le Val

Mischtechnik auf Papier

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2024

41 x 31 cm

Graphic "Miedo", 2024, 40x40cm, by Marion Avanzini: Abstract composition, predominantly in red, amber and ultramairine blue drawn with oil pastel, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Miedo

Mischtechnik auf Papier

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2024

40 x 40 cm

Graphic "Soledad", 20214, 40x40cm, by Marion Avanzini: Abstract composition, predominantly in red, amber and ultramairine blue drawn with oil pastel, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Soledad

Mischtechnik auf Papier

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2024

40 x 40 cm

Graphic "Starting a new game", 2024, 32x24cm, by Marion Avanzini: Abstract composition, predominantly in red and ultramairine blue drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

Starting a new Game

Mischtechnik auf Papier

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2024

32 x 24 cm

Graphic "To stand still", 2024, 30x21cm, by Marion Avanzini: Abstract composition, predominantly in red, amber and ultramairine blue drawn with oil pastel, charcoal, felt-tip pens and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

To stand still

Mischtechnik auf Papier

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2024

30 x 21 cm

Graphic "These were the days", 2024, 32x24cm, by Marion Avanzini: Abstract composition, predominantly in ultramairine blue, drawn with oil sticks, charcoal and graphite pencil on paper. Reversed inscriptions integrated into the artwork hint at hidden layers of meaning

These were the days

Mischtechnik auf Papier

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2024

32 x 24 cm